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Use Image Overlay to overlay an image on your sequence. The following options are available:. Applied - Browse and choose the image to overlay. Position - Sets the relative position of the image overlay within the output frame. For example, Center, upper left, lower right. Offset - Specifies the horizontal and vertical offset from the relative position (in pixels) for the image overlay. Size - Adjusts the size of the image.
By default, the image overlay's size auto‐adjusts to the current output frame size. The image gets overlaid according to its relative size regardless of the output resolution. When Absolute Sizing is enabled, the image overlay's size is linked to the native size of the source image. When Absolute Sizing option is checked, the image overlay appears smaller at higher output resolutions and larger at lower output resolutions. Opacity - Specifies the opacity of the image. Overlays text onto the output video. The following options are available with this effect:.
Prefix - Text added to the beginning of the filename. Suffix - Text added to the end of the filename.
Format - Specifies the options the name is displayed with. The following options are available:. Prefix and Suffix Only. Source filename. Source filename (without extension).
Output filename. Output filename (without extension). Position - Sets the relative position of the text within the output frame.
For example, Center, upper-left, and Top Center. Offset - Specifies the horizontal and vertical offsets (in pixels) for the name. Size - Adjusts the size of the name. Opacity - Specifies the opacity of the black background behind the text. Overlays a timecode on your video output. The following options are available for the Timecode Overlay effect:.
Position - Sets the relative position of the timecode within the output frame. For example, Center, upper-left, Top Center.
Offset - Lets you adjust the horizontal and vertical offsets (in pixels) of the timecode within the output frame. Size - Adjusts the size of the timecode. Time Source - Specifies how timecode is generated. Media File - Reads Timecode from the source media. If the source media is not detected, timecode overlay starts at zero and matches the source's frame rate.
Offset in Frames - Specifies the number of frames by which the source timecode is to be offset. You can give either positive or negative values for the offset.
Generate Timecode - Lets you specify custom timecode to overlay over the video. When this option is selected, choose a frame rate and counting method from the Format drop-down list. You can also specify a custom starting Timecode.
Time Tuner allows you to extend or reduce of the output file by duplicating or removing frames at specific times so that the overall change in duration is unnoticeable. The following options are available within the Time Tuner Effect:. Current Duration - Duration of the original source file. Target Duration - New duration of the output file after effect is applied. Duration Change - Percentage by which the output duration differs from the source duration. You can set this from -10% (shorter duration) to +10% (longer duration). In Preset Use - Select the option you want Time Tuner to use when using the Time Tuner preset.
The following options are available:. Target Duration - Adjusts the output to a specific target duration, regardless of the source's original duration.
Duration Change - Adjusts the output duration to a percentage of the source's original duration. Skip Slates - Allows the Time Tuner to ignore slates. Choose this option to ignore series of still images with a combined duration longer than 10 seconds. Video Limiter constrains the luminance and color values of source files so that they fall within safe broadcasting limits.
Reduction Axis -Sets the limits defining the range of luminance (Luma), color (Chroma), both color and luminance (Chroma and Luma), or the overall video signal (Smart Limit). Signal: Sets the minimum and maximum range for the effect.
Values outside this range are constrained. Min and Max values change depending on the Reduction Axis option chosen.
Reduction Method: Sets the tonal range for compression based on Highlights, Midtones, Shadows, or a combination of these. Shadow: Sets the Threshold and Softness of darker values. Threshold adjusts the lower limit of darker values while Softness adjusts the boundary between tonal ranges. Highlight: Sets the Threshold and Softness of lighter values. Threshold adjusts the upper limit of lighter values while Softness adjusts the boundary between tonal ranges.
Adobe Media Encoder is used both as a stand-alone application and as a component of Adobe Premiere Pro, After Effects, and Flash Professional. In some contexts—including rendering and exporting from Premiere Pro—you set encoding options in the full Adobe Media Encoder Export Settings dialog box. In other contexts—including rendering and exporting from After Effects—you set encoding options in a format-specific Options dialog box that only presents a subset of the encoding options.Adobe Media Encoder ships with many presets, each of which sets the various options to meet the requirements for a common target output. In the Export Settings or format-specific Options dialog box, the options available on the Video tab depend on the format you’ve specified.Options not documented here are either specific to the selected format or does not require documentation. For detailed information, consult the specifications for the selected format. For example, MPEG formats include many advanced options not listed here.
For detailed information on options not listed, consult the specifications for the MPEG‑2 (ISO/IEC 13818) format and the. Select the pixel aspect ratio appropriate for the output type. When the pixel aspect ratio (displayed in parentheses) is 1.0, the output has square pixels; all others have non-square pixels. Because computers generally display pixels as squares, content using non‑square pixel aspect ratios appear stretched when viewed on a computer but appear with the correct proportions when viewed on a video monitor.
When set to Match Source, in H.264 and MPEG-2 formats, Adobe Media Encoder automatically sets this value to match the pixel aspect ratio of the source. The Multiplexer preset options (sometimes called Format) control how MPEG video and audio data are merged into a single stream. The exact options available depend on the MPEG format you choose. Multiplexing settings are available for H.264 and HEVC formats as wellWhen you choose the MPEG‑2 format, all Multiplexer options provided by the MPEG standard are available for manual control. Usually, it’s better to select an MPEG preset targeted to your output medium (such as MPEG‑2 DVD).For more information about MPEG options, see the relevant MPEG specifications for MPEG-4 (ISO/IEC 14496) and MPEG-2 (ISO/IEC 13818) and the.
In the Export Settings dialog box, the options availablein the Audio tab depend on the format you’ve specified. Optionsnot documented here are either specific to the selected format ordo not require documentation because their names are self-documenting.For detailed information, consult the specifications for the selectedformat.Some audio formats support only uncompressed audio, which hasthe highest quality but uses more disk space.
Some formats provideonly one codec. Others allow you to choose from a list of supportedcodecs. To increase the frequency at which audio is converted into discrete digital values, or sampled choose a higher rate.
Higher sample rates increase audio quality and file size; lower sample rates decrease quality and file size.Setting the sample rate in the Export Settings dialog box higher than the sample rate of the audio source doesn’t increase quality. Setting a sample rate different from the sample rate of the source file requires resampling and extra processing time. You can avoid resampling by capturing audio at the same rate at which you want to export it. Many source assets contain XMP metadata. You can choose which XMP metadata from source assets is to be preserved in the encoded output files by using a preservation rule.For single-source clips, preserving XMP metadata ensures that the production metadata from the original source flows through to the re-encoded output file. For sequences and compositions, including source metadata preserves the metadata from each of the items used to make up that sequence or composition. Excluding existing source metadata is often referred to as thinning.
You may want to exclude source metadata for security purposes or privacy concerns, or to reduce the size of the output file as much as possible.A preservation rule acts as a filter to specify which XMP metadata from a source item is passed through to an encoded output file. The preset preservation rules are Preserve All and Exclude All. Preserve All is the default.To create your own preservation rule, click New next to the Preservation Rules menu. You can enable individual fields or categories by selecting them in the Preservation Rules Editor dialog box. To find specific fields, use the search field near the top of the Preservation Rules Editor dialog box. Be sure to give your preservation rule a descriptive name.You can edit an existing custom preservation rule by choosing it from the Preservation Rules menu and clicking Edit.
An export template specifies what XMP metadata get written to the output file. For example, you can create an export template that includes various XMP metadata from the source files and adding your contact information and rights-management information to each output file.The export template acts as a filter; any fields that are not explicitly enabled by the current template are filtered out. The only exceptions are internal properties that are automatically populated with data by the creator application, which are always included and are not editable.To create your own export template, click New next to the Export Template menu.
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You can enable individual fields or categories by selecting them in the Export Template Editor dialog box. To find specific fields, use the search field near the top of the Export Template Editor dialog box. Be sure to give your export template a descriptive name.You can edit an existing custom export template by choosing it from the Export Template menu and clicking Edit.After you have applied an export template, you can also manually enter values to add specific XMP metadata to the current encoding queue items.Some fields are uneditable and can’t be excluded from output—such as fields that are written automatically by the creator application. For example, the Format field in the Dublin Core schema and the Video Frame Rate field in the Dynamic Media schema are set by Adobe Media Encoder to accurately describe the output file, and these fields are not user-editable. Also, values that are specified by the current export template appear as uneditable; to change these values, change the template or apply a different template.Any field that doesn’t contain data—either from the template or manually entered—get excluded from the exported XMP metadata. Empty fields are not written to the output file.
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