Lata Ki Yaadein By Anuradha Paudwal
You’re never too young to receive your first record?!Truth is, the whole family fell in love with these renditions of all the greatest Tom Petty songs upon the first spin.I often stream some Rockabye Baby music when I relax with my little son. It’s quite a funny listen and the bonus for me is that it’s pretty much all songs that I know and love.On last year’s RSD Black Friday I came across the Tom Petty Rockabye Baby LP. To be honest I never knew there were pressings of this so I basically picked it up without hesitation. Became a family favourite right away!.#tompetty #rockabyebaby #lullaby #greatesthits #33rpm #vinyl #coloredvinyl #vinylcollection #vinylcollectionpost #vinylcommunity #vinyloftheday #vinylrecords #vinyligclub #vinylgram #instavinyl #nowspinning #onmyturntable #vinylgenfeature #vinylcollector #records #vinylclub #recordcollecting #recordstoreday #rockabyebabymusic #familymoments. The Infinity Chamber.A New Zealand-born musician based in Istanbul.
#dallasmusic #dallasartist #Morrowrarri #Newmusic #oldshit #classic #xxl #trending #soundcloudrapper #soundcloud #artist #art #420girls #420friendly #putmewhereibelongClick link in my bio??Download all my old shit when i was producing my shit in the attic prior to studios. I will have a contest to see who gave me a chance prior to fame. The songs on soundcloud are OLD 11 years old!. Hell i even used audacity for some.
This is my dream and still havent gave up.Songs on soundcloud will be deleted soon! Download before they are so you can win the contest!!.also my other alias is Calce aka Mr.YGB!!!!.comment below and if you can guess what YGB stands for i will give prize.however if you have all songs on my soundcloud downloaded and in hand as well as guessing what YGB stands for you will instantly win THE GRAND PRIZEE!!!!! Review Dream Theater - Distance over Time; Genre: Progressive MetalThe heaviest Dream Theater Album since Awake! I have missed it! The three first songs are also the singles that came out prior to the album release. They gave me hope and I am not disappoited! The best music they have produced since ‘Six Degrees of Turbulence’!
It does not really feel like an album, it feels more like 9 (+1 bonus) individual tracks with no connection between each other. You may play the songs in random order. Some disappointment around that but luckily the quality of the songs is high which compensates a lot. I cannot point out one favourite.
I like the long tunes but also the heavy ‘Paralyzed.’ The best is that there are no dips like in their self titled album where there are a couple of songs which does not really reach the high quality expected from these music pioneers. All songs are good or great!.❓What happens after 5:42 in ‘At Wit’s End’?
Anuradha Paudwal (born 27 October 1954) is an Indian playback singer who works in Bollywood. She was awarded the Padma Shri, India's fourth-highest civilian award, by the Government of India in 2017. She is a recipient of the National Film Award and a four-time winner of the Filmfare Award.
A cymbal which sounds really weird and out of beat is heard for 8 seconds in the left channel. Is this meant to be or is it a production fault?.summary: great music, not as great album compilation. Anyhow, ‘Distance Over Time’ will be spinning a lot from now on and will certainly grow for each time! #albumreview #dreamtheater #distanceovertime #album #progressivemetal #pioneers #heavier #progressiverock #progmetal #progrock #dream #theater #highexpectations #awake #sixdegrees #turbulence #albumofthemonth. The Little Mermaid 30th Anniversary Edition - 4.7/5?⠀⠀⠀⠀⠀⠀⠀⠀⠀Sometimes my parents give me tips on what movies to watch and my Mom was telling me recently that when she was a human puppy she was obsessed with a Disney movie called, “The Little Mermaid” and that she would spend hours in her room singing to the soundtrack, pretending she was a half-fish person with long red hair.
That sounded pretty weird to me so I figured I should check this flick out. Luckily, the 30th-Anniversary Signature Edition is out today! I was skeptical at first that a mermaid-who-wants-to-grow-legs story would enthrall me as much as it did the 10-year-old version of my Mom, but as soon as Ariel started singing about whozeits and whatzits and thingamabobs I was hooked. This musical has it allsongs that are catchy AF, a charming heroine with a voice like an angel, a love-to-hate-her sea witch villain, a prince with great hair and two very fun animal sidekicks. This Signature Anniversary Edition also comes with all-new bonus features like behind-the-scenes original cast recording sessions and a sing-along version of the movie, which, in my case, was more like a howl-along version. No one likes to admit that their Mom is right, but in this case, I have to give credit where credit is due.
There’s a reason why 30 years later this story and its songs are still enchanting fans up on land. Kashmir Ki Kali (lit. The Bud of Kashmir) is a 1964 Indian romance film directed by Shakti Samanta. It is loosely based on the American film Come September (1961).
The film stars Shammi Kapoor, Sharmila Tagore in her debut role, Pran, Dhumal, Nazir Hussain and Anoop Kumar. The music was composed by O.P. Nayyar and the lyrics penned by S.H. It became the sixth-highest-grossing film of the year and was declared a hit at the box office.Super duper hit movie n all songs r evergreen n beautiful songs in dis movie.awesome music.superb Jodi shammi Kapur n beautiful sharmila tagore.I luv luv it all songsMovieKashmir ki KaliMusicO.P.NaiyarLyricsS.H.BihariSingerMohammad Rafi n Asha Bhoshle. SEMA feelings na song.editing by @instalovesongs ♣️ support this page❤️❤️???❤️more videos??.Follow®©™✓this page??.❤️♣️????????.lovesongs.bgm.©Page on ❤️?.™Sound on??Mashups?☝️&check prolife?All songs✌️✌️Hd video.@instalovesongs @instabgm ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️::::::::::::::::::::::#lovesongs #tamillove #sidsriram #tamildub #tamilsonglyrics #tamillovesongs #kollywoodcinema #kollywoodsongs #lovesongs #tamilstatus #bgmlife #tamilbgm #kollywoodsong #kollywood #indiansongslyrics #vijaysethupathi #vijaydevarakonda #thalapathy #tamilsongs #tamilmovie #supersinger6.
Mating Call, Tadd and John.John Coltrane with Tadd Dameron.Or maybe it’s more Tadd Dameron with John Coltrane but who cares. Coltrane is not yet a leader but here as a sideman, even if his name becomes bigger on cover as he reveals as a true musician on his own. And Prestige knows how to sell when it has a name like Coltrane in its catalog.Here on Prestige 2nd mono press with blue label, silver trident from 1964, RVG stamp. Recorded on 30 November 1956 at Rudy Van Gelder, the album was first issued in 1957 with another cover and named Mating Call Tadd Dameron with John Coltrane.
Very quickly, in 1962 with the next reissue, renamed Mating Call John Coltrane with Tadd Dameron.Notice that on label is mentioned Tadd Dameron with John Coltrane as on first issued pressing.On this album, Coltrane has his own place even if all songs composed by Tadd Dameron. Eargasm Presents to you a Recap of 2018 Music. Through an analyzed list of all songs that grab our attention so much that we were almost unable to forget them the whole year, couldn’t take our ears off to listen to them. And above all, made 2018 – A Musical Year.LINK IN BIO. CHECK OUT NOW.#TopSongs2018 #BestSongs2018 #CountdownList #TopSongs #BestSongs #HitSongs #HitSongs2018 #PopularSongs #PopularSongs2018 #TopEnglishSongs #TopEnglishSongs2018 #2018 #2018Songs #Top50 #BestEnglishSongs #Music #Muzik #MusicJunkie #MusicObsessed #CityLife #Pop #EDM #Rock #Country #Dance #InstaMusic #Video #Hollywood #YouTube #Eargasm@billboard@billboardcharts@spotify@spotifybrands@rollingstone@rollingstonein@therollingstones@pitchfork@guardian@youtube @youtubemusic.
Did not know about Lata blacklisting Anuradha Paudwal but have heard stories that Lata used to not let any competition come through.Don’t have more material on Alka but found another interview of Alka where she mentions the same incident without taking names.“Switch on. She’s everywhere. No matter which channel, radio station or CD you turn to, Alka Yagnik is bound to be there. Every music station blares her songs as though by national decree. But she isn’t sitting pretty on her laurels. With a dream career in her kitty, the topnotch playback singer plans to concentrate on quality work instead of quantity. Gentle and amiable, Alka speaks on her triumphs and hiccups as a daughter, wife, mother and a professional singer.How do you manage to juggle a home and a career?Sometimes, even I wonder how I do it.
I feel God is with me every step along my way. My husband lives in another part of the country. He visits Mumbai once in a while and sometimes I visit him. My family is a great help.
I wouldn’t have been able to manage without them. My father was very supportive of my career. I grew up in Calcutta where he was in the navy. We led a comfortable life. But for the sake of my singing career he quit his job so that we could move to Mumbai.Were you always determined to be a playback singer?Not really. My mother is a trained classical singer. I used watch her doing riyaaz with her tanpura.
I would sit next to her and sing along. She was my main guru. But it wasn’t classical music but Lataji’s film songs which influenced me. I was an ardent fan of hers from a very young age.
I wanted to sing like her. I used to carefully listen to her songs and hum them. That’s when my mother spotted my aptitude for singing.So we owe your presence in the film industry to Lataji.You could say that.
I was five when I started singing on Calcutta radio. At 11, I was making trips to Mumbai to get acquainted with the music industry. A common friend in Calcutta introduced me to Kalyanji-Anandji who agreed to guide me.
I also met Laxmikant-Pyarelal, R.D. Burman and Rajesh Roshan.Was the rise to the top difficult?It was a gradual process. I didn’t realise when and how it happened though.You’re known to be ruthlessly ambitious.That’s not true at all. But if that’s the reputation I have, what’s wrong with it? My mother was very ambitious on my behalf.
I always dreamt of getting married, having children, living in a nice little house and being a housewife. Singing just came naturally. Even when Mere angne mein became a hit, I didn’t see stars. But after Qayamat Se Qayamat Tak and Tezaab, I began to enjoy my success. That’s when I became very serious about my career. I wanted to make it big. Today I’ve reached the same level where Lataji began to make a mark many years ago.You seem to be a constant in every love songYes, but getting there hasn’t been easy.
After Mere angne mein, I was branded a chalu singer. Lataji and Ashaji were singing when I came in and Anuradha was doing pretty okay. In fact, she was Laxmikant-Pyarelal’s favouritre singer at that time. Kavita Krishnamoorthy was also on the scene. Most songs coming my way were of the cheap variety.Are you embarrassed about your early songs?No. They are a part of my growth as a singer. One goes through phases in life.
Since those songs came my way, I gave them my best shot. But I knew that wasn’t the real me. I bided my time.
With Qayamat Se Qayamat Tak I proved that soft, romantic numbers suited me the more. Ek do teen happened around the same time.
My versatility was established.Does overwork affect the quality of your voice?At one point, I was recording four songs a day. Once you’ve tasted success, you’re fired with enthusism, energy and excitement. To begin with, quantity does matter. If anyone had warned me about over-exposure at that time, I wouldn’t have been ready to listen.So when did you become choosey?About four years ago when overworked began affecting my health. My daughter was growing up. I had to look oversee her homework, help her through exams. I was required to be at home more often.
Besides, after my father passed away, my mother became like a child who needed constant attention. And to top it all, my husband wasfeeling neglected. With age, thodisi thakaan mehsoos hone lagti hai.You and age?No, I’m not saying I’m old. But overwork is bound to take its toll. I fell ill frequently and developed throat problems.
I put so much of myself into each song that I’m trained at the end of the recording. I’m a perfectionist and if I’m not satisfied, I insist on a retake even if I’m dead beat. To be honest, I was also tired of singing the same kind of songs.
I wondered why I was running around so much. So, I’m changing my working style. I’ll do just one or at the most two songs a day. I have given up singing regional songs and providing playback for B- and C-grade films.Today you’re the only choice for the heroine’s voice.That’s an honour and a very big responsibility.
Because expectations are also high. So I can’t treat any of my songs casually.
Comparisons with Lataji are foolish. None of us today have her calibre. But yes, I have created a niche for myself. Any new singer who comes in was automatically weighed against Lataji’s talents.
Now this is happening to me as well. The other day I read that Sunidhi Chauhan is about to give Alka Yagnik a run for her money. I laughed, just as Lataji must have done when we were compared with her. More than funny, it’s pathetic. I think comparing newcomers with established artistes shows a lack of a sense of proportion. How ignorant can they be?
If they knew anything about music, they wouldn’t be saying such things.At one time Lataji was accused of monopolising the charts. Aren’t you doing the same now?There is no conscious attempt to do so. It gives me a high when so many composers call me to sing for them.
I have worked hard to get where I am. Lataji and Ashaji’s monopolies happened on their own. When they’re so good, composers were bound to call on them to sing. It isn’t their fault.Have you been a victim of any musical politics?I don’t want to rake up the past. One singer did try to walk all over me because she had the support of powerful people while I only had my talent. She has tried to make amends.
I had faith in God, underhand tactics can never succeed.Could you give me specific examples of underhand tactics?Well she had the backing of a big music company. My songs in Dil and Itihaas were dubbed by her. I did try to protest.
If a singer is supported by a company she could bring out her own albums, why mess with another singer? Do your own thing. Don’t come in the way of others.
That’s the only instance of underhand dealing I came across. Otherwise mere peeth peeche kya hota hai, kya maloom?Other singers feel you’ve cornered the film music market.That’s not fair. If my work is being appreciated and composers want me to sing their songs, is that my fault? I’m trying to do good work. What do I do? Stop doing good work?
I never call up any composer and dictate which singer they shouldn’t sign on. I’m not manipulative.Your friendship with the big boss at Tips has come in for a lot of comment.That’s really very silly. I’d rather ignore such talk. When someone is successful, people try to insinuate how it was achieved. They can’t understand that success can be achieved without any underhand dealings. Know something?
The Tips guys are great Lata bhakts. If they can get her to sing, great.
If they can’t, then they come to me. Probably they like my work. I’m happy they have faith in my voice and it’s commercially viable.
To insinuate anything more is downright silly.How do you fob off unwanted male attention that comes you way due to your husband’s absence from the scene?I ignore it. It’s important to maintain relations with everyone in the industry and try not to upset them.
However some people do get upset. If they are intelligent they know I’m here to work. And I’m doing that with utmost sincerity. There have been times when I’ve faced difficult situations.
But I’ve explained to the other person that I’m only interested in a working relationship. I belong to a conservative family with very strong values.How did the other person react to your polite rebuff?Initially, he might have taken offence. But eventually he came around and saw sense. By God’s grace, my family has never misunderstood me or my motives.Is your husband happy with your long absences from his life?I wouldn’t say he’s happy with the situation.
Durga Bhajans By Anuradha Paudwal
He does have his little misgivings from time to time. But he understands that I’m not a frivolous person. And that my work has become second nature to me. He knows that if I don’t sing, I’ll be a frustrated housewife constantly chewing his brains (laughs) He knows I’m happy. He shares my happiness and understands that I have to sing. Rumours don’t bother him.
He knows that if there’s an iota of truth in them, I’ll tell him myself. If he doesn’t hear it from me, it doesn’t exist. I’m blessed to have such an understanding husband, mother, brothers and daughter. They are my pillars of strength.The songs of Refugee are a turning point in your career.
Did you enjoy singing them more than the average number?I did. This is the first time I was given such semi- classical numbers. I’m grateful to Anu Malik for having that confidence in me. Others would have said, “Nahin, yeh gaane to Lataji hi gayengi.” I’m glad my efforts have been appreciated. At this stage of my career I do need inspiring tunes.Which composers have inspired you to do quality work?There was a time when I did a lot of work with Laxmikant-Pyarelal.
They’re the ones who groomed me. Then Nadeem-Shravan and I had many successful songs to our credit. If they’re back on the scene, all the better. I always shared a good rapport with them.
Right now, I share productive working relationships with Anu Malik and Jatin-Lalit. Anu gives me a lot of songs which are tailormade for my voice. He has managed to get the best tonal quality from my voice. Apart from Refugee, we did good work together in Josh.
Hai mera dil is one of my favourites. The new music composers like Sanjeev-Darshan, Sajid-Wajid, Himesh Reshamiyya and Ismail Darbar are doing good work. It’s still premature to say whether they have staying power. But they have the enthusiasm.Where do you go from here?(Sighs) I wish I knew.
Yahan tak pahonchugoo, maine kabhi nahin socha ttha. Attaining success is relatively easy. Staying there is a tough.
People are constantly trying to bring you down. One wrong move and it’s said that the downfall has started. Success breeds enemies. You can see the resentment in people’s eyes.You must have seen it among your female colleagues?Oh there are lots of hostile undercurrents. Earlier, I used to get upset, cry buckets.
Now that I understand the ways of the world, I’ve stopped being gregarious. I’ve built a wall around me. Many feel I’m arrogant and snobbish. But it’s just that I’m now wary of people.How wary?Very. Every time I fall ill, I’m told, “Kissiki buri nazar lag gayi. So I keep to myself as much as possible.
God is holding my little finger and guiding me. Every time I worry, “Ab main iss mushqil se kaise nikloon?” things have worked out just fine.”. It is true that Lata did not let any competition to come through maybe not directly but indirectly using her clout. Not just Anuradha Paudwal, it’s rumoured that she did not let singers like Sharda, Vani Jairam and specially Suman Kalyanpur whose voice closely resembled that of Lata Mangeshkar, flourish. Suman Kalyanpur was a very good classical based singer, but due to politics she left the film industry permanently. There’s also a rumour that Lata made fun of Yeshudas because of his South Indian accent, after which he completely stopped recording Hindi songs.PS: Have no links for the above info, just the filmi gossip passed on by earlier generation. They are music buffs.
First link is not opening up.So Anuradha is saying Alka herself dubbed over Kavita’s song and that Hariharan also dubbed over Kumar Sanu’s song for the same movie. So Dil Ki Kalam Se was originally sung by Kumar Sanu.
Interestingly Hariharan was mad at Sonu Nigam for dubbing over his song in Tera Jadoo Chal Gayaa.“Hariharan has lambasted you for dubbing his songs in Tera Jadoo Chal Gayaa.He’s right. I’m at fault and I apologise for what happened. When I sang Aye chand tere, I wasn’t aware that Hariharan had already recorded it.
I was informed only after the song was recorded. It is the producer’s fault.
When I hesitated to dub the title song for Tera Jadoo Chal Gayaa, I was told that if I didn’t sing it, someone else would. They were clear that they didn’t want to retain Hariji’s voice. Na main lad saka, na main ad saka. I thought if someone was going to dub it anyway, I might as well do it.Even Kumar Sanu is gunning for you for dubbing his song in Refugee.Then let me add that I’ve also dubbed for the Gaya gaya (Fiza) song which was recorded earlier by Uditji (Narayan). Anyway, tell me who set the precedents? These singers themselves.
Didn’t Kumar Sanu dub songs when he was on the top? Why is he feeling bad now? I whole-heartedly agree that I am at fault for dubbing some other singer’s voice. If all the singers stop this practice, I promise to do the same.
Where Refugee was concerned, I didn’t want to miss out on singing for Anu Malik in a J. Dutta film which was also the launching pad for Abhishek. If I had thrown tantrums then, they would’ve roped in someone else.
Nobody would have taken up my case if someone else had done that to me. I think all the singers should come together, form an association and arrive at a solution.
These singers who are complaining are over 40-45 years old. What kind of examples did they set for us? I have yet to reach 30, why expect me to do something that they didn’t follow when they were on the top? I’m merely aping them. They laid the foundation, why blame me?But you just apologised for dubbing Hariharan’s song.I respect Hariji a lot and I sincerely apologise for my mistake. While I was recording Aye chand I really didn’t know what I was getting into.
But I was fully aware of dubbing Hariharan’s voice for the title song. But I didn’t have the courage to call him and say so. It’s a difficult situation. I don’t like it one bit.”. Its strange that Anuradha Paudwal is always listed as the main culprit on the dubbing controversy which actually reeks of jelaousy. Alka herself dubbed over her good friend Kavita Krisnamurthys voice for the song ‘Bazooband’ from the movie Prem Granth that too for veterans like Laxmikant Pyarelal. Its no secret that Anuradha’s bad career move of not working outside Tseries worked the most in favour of Alka who cornered all the Nadeem Shravan and Anu Malik songs (both got their big breaks with Tseries courtsey Anuradha).
Who knows where Alka would have been if Anuradha had not stopped singing outside Tseries. So Alka should just chill and thank Anuradha for the this ill timed career move. Anuradha got some songs only because of Gulshan Kumar, not due to her talent.
Her Prounciation is not proper at all Muh khol ke nahi gati hai. Alka Yagnik’s vooice is so melody and sweet. She is good human. Not like anuradha.Dil movi songs were comletely sung by alka yagnik. Gulshan kumar insited to Anand milind to dub alka song to anuradha.
Alka was not aware of this. Anand milind was a new commer. They did this cheap. Alka Became the voice of Madhuri, Juhi, karishma, Rani, Tabu, Kajol etc.Alka Yagnik is just after Lata Ji. No one can beat her. No comparision. Today Shreya’s voice is up to the mark.
Lata alka and now shreya. Monster hunter world steam release item pack 3. Anuradha even try to dubb Lata Ji song too. But anu malick fought with T Series not to do that. When all music directors become follow alka yagnik then anuradha silently moved to Bhajan song. Because she was sure that no more song will come to her.Choli ke peeche kya hai was actually given to Kavita, but she said its a vulgur lyrics so she ll not sing. Later Alka sang and become a huge blockbuster hit.Anuradha also got range and pitch same as Alka Yagnik but cant compete with The Melody Queen Alka Yagnik. Hi.im an malayaali from keralai used to hear abt latajis monopoly and alka yagnik n anuradha paudwal fight and so Let me tell what i felt was that.
Anuradha pawdwals voice is very good and a bit different.she is best in soft slow melodies like bahut pyaar karte hain and so. Also anuradhas voice is more close to latajis as ive heard her singing latajis songs. Also songs like tere aaankhon ke siva duniya mein Ehsaan tere hoga.are best sung by anuradha.
About alka yagnik I like her voice as she is more versatile. She can sing melodiesand fast.sensual songs In film hum aap ke dil mein rahete haintitle song is sung by anuraadha.is superb.and kasam se kasam sesung by alka is also superb. Let me say that a music director shud hav a unbiased idea to approach a singer. Its not the fame that makes a muscian to choose a singer.but a particular song.shud be sung by a artist in which his or her voice wud match the song and the actorthe most. Sometimes we feel that a song sung by an artist wud be more good if it was sung by another artist rt.??? It shud not happen Right Artist shud be chosen.for the right song. Then there wont be any problem of monopoly or any kind of criticism.
Let me say one more thing that. Tum mile dil khile had sung by alka and k s chitra. Telusa manasaby chitra in telungu. I felt both songs are good. Chitra sings with maximum effort to make it very sensual.
Anuradha Paudwal Bhajan Mp3 Downl…
Alka is best in the hindi song.tum mile. Finallyi wud like to say that if n association is madefor the singersit wud make the aritsts to be under an umbrella. I agree with you vikas. Lataji was the best and is the best and will be the bestevnthough several controversies were rumouredabout lataji. I feel the music composers of those times also shud be appreciated much But i do respect other singers too. Ah let me tell u a fact that.we we see a film we just are fond of the hero or heroine.but whole the film is made by other co actors too.
So similarly.if we compare here. Lataji.and ashaji hav got diffrnt style of singing. I think lataji cannot sing with the same sensuality of ashaajiexample.in churaliya hai Jhumka gira re. And so And asshaji cant sing like lataji in aapki nazron mein.lag jaa galeand so So each singer has his or her own style Latajis singing was accepted.likedat that time. And she is the best too. I don’t know why some people are putting elligation on Anuradha Paudwal?Some one who is saying that Anuradha copied Alka’s Style.how funny.Alka is nothing in front Of Anuradha because Anuradha knows better how to handle a song and fill sweetness in the song.She is a versatile artist.I agree with Raja Hindustani that Alka should be thankful to Anuradha instead of jealosy because if Anuradha did not take the unwise move for T-series,she would be on the top.her songs in Dil hai ke manta nahin,beta,sadak,hum apke dil mein rehte hain,tere hum o sanam,daag the fire,tum bin are ever green.
You cannot compare anyone and cannot blame anyone that he/she dubbed his/her voice, it all depends on demand, which directors know very well. BUt, I feel that anuradha has given maximum number of hits. If you do survey and count then u feel that percentage of anuradha’s hit songs are maximum.
Because lata jee sung maximum no. Of songs in industry and good nos. Are hit and also appreciable.
But, anuradha given very few no. Of songs and most of them are hit and appreciable.
When she left bollywood, she was hit in devotional also. Everyday, everywhere u can listen her voice in any place, any mode, any mood.
Today, also if u feel tired after listening today’s latka jhatka songs, ur choice to move melodious like dil hai ke manta nahi, aashiqui, sadak, beta, saathi, etc. So, true will be always true. Agar wo aaj bhi gana start kar de to her tarah ke gaano me hit hi degi.
She passed everywhere even she can dub anyone beautifully and that is also a talent. U can see everyone is copying lataji, ashaji, alka, etc. But very few have guts to copy Anuradha and Kavita Krishnamurthy, because their voice quality are mismatchable. Can any song beat Dhak Dhak karne laga, which gave madhuri a name of dhak dhak girl, who is legend of actress. So, don’t blame anyone to dub.
Afterall, nakal me bhi akal (talent) ki jaroorat hoti hai. Lataji jaise badi singer k beech unhone apni jagah banai aur log unhe bhi utna hi sun ne lage, phir bhajan me bhi apni jagah banai means unke (anuradha) jitna competition aur unke jitna success kisi ko maine paas karte nai dekha hai aur unki awaaz her jagah aur hamesha gunjti rahegi, chahe wo party ho, mandir ho, mobile ho, ghar ho ya sadak ho. SANJAY NE SAHI BOLAAGAR AAJ BHI ANURADHA JI GAANA START KAR DE TOH JITNI SINGERS BHI HAIN SABKE AAGE UNKA HI NAAM HOGA, ALKA YAAGNIK JI SACH ME ANURADHA JI KE SAAMNE KUCH NAHI HAINAGAR ANURADHA JI NE GAANE DUB KIYE HAIN TO ANURADHA JI KI MARJI NAHI THI WO T SERIES COMPANY KA DECISSION HOGAAGAR ALKA YAAGNIK BHI KOI COMPANY ME SOLO SINGER HOTI TOH SAAYAD WO BHI ANURADHA JI KO GAANE NAHI DETINLATA JI JAISI SINGER KE PARELL HOKE JO UNHONE PEHCHAAN BANAYI HAI WO BAHUT BADI BAAT HAICHAARON TARAF UNKE GAANO KI GOONJ HAMESHA RAHEGIE SPECIALLY NAVRATRI ALSO.
Ah.ive got a differnt opinionits not becoz anuradha stepped backwardsand alka got more chances. Singing style of both artists are differntrt?? Just take an example. If kuch kuch hota hai was sung by anuradha it wont be as good as alkas song. I beleiv that anuradha has got enough talent to sing lata mangeshkar type songs. And ofcourse she has sung those songs too. But in 90s songs were composed of a differnt style.and it suits better for alkas voice.
Jo haal dil ka. Ladka bada anjaana haietcthese type songs.a bit fast type plus melodious songs are best sung by alka And i feel voice suits for bhanjans and aartis is anuraadhas.: nw its the era of shreya ghoshal. Nw again the style of compositin has changed. Nw the singing has become very much expressive.according to the situation. Saaans mein teri saans mili tosung by shreya.
I bet lata mangeshkar cant sing with the same sensuality and expression. As shreya has sung. I too agree that it could be out of jealousy that Alka lashed out at Anuradha, since Anuradha isn’t the only one who dubbed others’ songs. Other singers including Alka herself has done so.
And wasn’t “mile tum se bichar ke hum” previously sung by both Kavita & Alka? Then why did Alka sing the whole song in the movie?
I like Alka’s voice too but I think Kavita & sp Anuradha are much better singers than Alka. Some songs suit Alka only though just as some songs suit other singers. I think “Sathi mere tere bina” from Itihaas suits Anuradha whereas the song, “Dil ke kalam se” suits Alka more. And I too agree that if Anuradha hadn’t signed the exclusivity of T-Series back in mid 90s, Alka woudn’t be where she is now. Anuradha has clearer voice than other 90s female singers. I just wish the 90s music is back & the 90s singers are back.
I miss them so much.Can’t believe Lataji could do that. No wonder Hemalata didn’t get many songs.
Anuradha Paudwal Songs
From an interview with Vijeta Pandit. So Alka really has no right to blame Anuradha when she herself has done the exact same things she accuses Anuradha of doing. Classic case of a pot calling the kettle black. And she really needs to stop living in the past and move on.“When Jatin-Lalit were trying to make it as Bollywood music composers, she dubbed a lot of songs for them. “I even sang Pehla nasha (Jo Jeeta Wohi Sikander).
But ultimately, all the songs would be recorded in Alka Yagnik’s voice. I would be left dejected because I’d rehearse and polish the nuances and Alka would get to record the song all ready on a platter.”The same thing would happen when she dubbed for Aadesh. But in all this disappointment there was a redeeming moment. “When Bhupenda (Hazarika, composer) heard my dubbed version of Kitni sardi kitni garmi for Chingari (2005), composed by Aadesh, he asked, ‘This singer sounds like Lata (Mangeshkar), who is she?’ Kalpanaji (Lajmi, director) and he insisted (he was co-writer of the film) that my dubbed version be retained. I always suffered the pain of having Alka sing the songs I had dubbed. But I’m sure Alka, must have understood my pain this time round.” She wishes aloud, “I hope to sing again.”.
So she meant that Alka dubbed over her songs that she sang for Jatin Lalit.“But my point was that it appears that Alka has done the same thing to other singers so to complain in 2016 about what happened over 25 years ago is a bit hypocritical on her part.”Agree with you that it is hypocritical on her part to complain. She was complaining even in the 1997 interview so it seems she just likes to complain.Like I said “All singers have done the same. They have dubbed over other’s songs and have got their songs dubbed over. They just complain when it happens to them.”. Yes 🙂 And I also do remember reading in a print interview (couldn’t find an online link) with Alka where she says that Anuradha had called her to apologise. And in a radio talk show with the singer Abhijeet, Anuradha had mentioned that she was under pressure to dub some songs (presumably from Gulshan Kumar). Perhaps that’s why she apologised.
But it appears that Alka isn’t willing to let go of it as she never fails to mention this incident in all of her interviews 🙂Anyway, thanks for indulging me in this discussion. As you can tell, I have a lot to discuss in this issue 😉.